{"id":1836,"date":"2024-01-19T22:40:22","date_gmt":"2024-01-19T21:40:22","guid":{"rendered":"https:\/\/www.academiedujazz.com\/?post_type=palmares&#038;p=1836"},"modified":"2024-01-19T22:42:36","modified_gmt":"2024-01-19T21:42:36","slug":"palmares-1984","status":"publish","type":"palmares","link":"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-1984\/","title":{"rendered":"Palmar\u00e8s 1984"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1836\" class=\"elementor elementor-1836\" data-elementor-post-type=\"palmares\">\n\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b66b883 e-flex e-con-boxed e-con e-parent\" data-id=\"b66b883\" data-element_type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;container_type&quot;:&quot;flex&quot;,&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ebcebc4 elementor-widget__width-initial b-primary elementor-widget elementor-widget-text-editor\" data-id=\"ebcebc4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 20-12-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p><strong>Le Prix Django Reinhardt<\/strong>\u00a0(musicien fran\u00e7ais de l\u2019ann\u00e9e) pour l\u2019ann\u00e9e 1984 a \u00e9t\u00e9 attribu\u00e9 \u00e0\u00a0<strong>Antoine Herv\u00e9<\/strong>, pianiste et chef d\u2019orchestre.<\/p><p><strong>Le prix Sidney Bechet<\/strong>\u00a0(musicien Fran\u00e7ais de l\u2019ann\u00e9e jouant dans le style traditionnel) \u00e0\u00a0<strong>Fran\u00e7ois Biensan<\/strong>. trompettiste et chef d\u2019orchestre.<\/p><p><strong>Le prix Sidney Bechet \u2018In Honorem\u2019<\/strong>\u00a0: \u00e0\u00a0<strong>The Hot Antic Jazz Band<\/strong>.<\/p><p><strong>L\u2019Oscar 1984<\/strong>\u00a0: \u00e0 l\u2019album \u2018<strong>\u00a0<i>A Tribute To Thelonious Monk<\/i>\u00a0<\/strong>\u2019 par un ensemble d\u2019orchestres et de solistes (A&amp;M A.M.L.M.\u00a066.600\/C.B.S.).<\/p><p><strong>Le Prix Bill Coleman<\/strong>\u00a0(du meilleur disque de Jazz Classique) \u00e0 l\u2019album \u2018<i>Live<\/i>\u2019 de\u00a0<strong>Charlie Shavers, Budd Johnson et Andr\u00e9 Persiany<\/strong>, (Black &amp; Blue 33.302\/WEA Filipacchi).<\/p><p><strong>Le Grand Prix du meilleur disque de Jazz Moderne<\/strong>\u00a0\u00e0\u00a0<strong>Brandford Marsalis<\/strong>\u00a0pour l\u2019album \u2018<i>Scenes In The City<\/i>\u2019 (C.B.S. 25 952).<\/p><p><strong>Le Prix du meilleur disque de jazz contemporain<\/strong>\u00a0\u00e0\u00a0<strong>Pat Metheny with Charlie Haden &amp; Billy Higgins<\/strong>, pour l\u2019album \u2018<i>Rejoicing<\/i>\u2019 (E.C.M.\u00a01271\/Phonogram).<\/p><p><strong>Le Prix Bud Powell\u00a0<\/strong>\u00a0: \u00e0\u00a0<strong>Don Pullen<\/strong>, pour l\u2019album \u2018<i>Evidence Of Things Unseen<\/i>\u2019, (Black Saint BSR 0080\/Harmonia Mundi).<\/p><p><strong>Le Prix Boris Vian<\/strong>, (meilleur enregistrement Fran\u00e7ais), \u00e0 l\u2019album \u2018<i>100 Hearts<\/i>\u2019, de\u00a0<strong>Michel Petrucciani<\/strong>\u00a0(Concord GW 3001\/D.A.M.).<\/p><p><strong>Le Prix Fats Waller<\/strong>\u00a0(de la meilleure r\u00e9\u00e9dition de jazz)\u00a0: \u00e0 l\u2019album \u2018<strong>\u00a0<i>The Modern Jazz Piano Album<\/i>\u00a0<\/strong>\u2019 (Savoy WL 70510\/R.C.A.).<br class=\"autobr\" \/><strong>&#8211; Mention Sp\u00e9ciale du Jury<\/strong>\u00a0pour la musique actuelle de la Nouvelle Orl\u00e9ans\u00a0: \u2018<strong>\u00a0<i>The Dirty Dozen Brass Band<\/i>\u00a0<\/strong>\u2019, ( Concord, The George Wein Collection, GW 3005\/D.A.M.).<\/p><p><strong>Le Prix du Document Exceptionnel<\/strong>\u00a0: \u00e0\u00a0<strong>Jacques Helian<\/strong>, pour les\u00a0<i>volumes 9 \u00e0 16<\/i>\u00a0de la collection \u2018<strong>Le Jazz en France<\/strong>\u2019, dirig\u00e9e par\u00a0<strong>Daniel Never<\/strong>s\u00a0: \u2018Les Grands Orchestres de Music-Hall en France\u2019 (Path\u00e9-Marconi \u2013 P.M.).<\/p><p><strong>Le Prix Mahalia Jackson<\/strong>, (meilleur disque de Gospel), aux deux albums \u2018<strong>\u00a0<i>Hot Gospel<\/i>\u00a0<\/strong>\u2019 et \u2018<strong>\u00a0<i>Get Right With God, 1947-1953<\/i>\u00a0<\/strong>\u2019, (Krazy Kat KK 7417 et 7424\/ADA).<\/p><p><strong>Le Prix Billie Holiday,<\/strong>\u00a0(meilleure nouveaut\u00e9 vocale), \u00e0\u00a0<strong>Bobby McFerrin<\/strong>, pour l\u2019album \u2018<i>The Voice<\/i>\u2019 (Elektra Musician 960 366\/1\/WEA Filipacchi).<\/p><p><strong>Le Prix Billie Holiday r\u00e9\u00e9dition<\/strong>\u00a0au coffret de trois albums du \u2018<strong>Nat King Cole Trio<\/strong>\u2019, (Capitol 1551 863\/P.M.).<\/p><p><strong>Le prix Big Bill Broonzy<\/strong>\u00a0du meilleur disque de blues traditionnel \u00e0 l\u2019album \u2018<i>Heap See<\/i>\u2019, de\u00a0<strong>Jimmy Johnson<\/strong>, (Blue Phoenix (Black &amp; Blue) 33720\/WEA Filipacchi).<\/p><p><strong>Le prix Otis Redding<\/strong>\u00a0du meilleur disque de Rhythm &amp; Blues \u00e0\u00a0<strong>James Brown et Afrika Bambaataa<\/strong>\u00a0pour l\u2019album \u2018<i>Unity<\/i>\u2019 (Tommy Boy 881 204\/Polydor).<\/p><p><strong>Le prix Sonny Boy Williamson<\/strong>\u00a0(meilleure r\u00e9\u00e9dition d\u2019enregistrements de Blues)\u00a0: \u00e0\u00a0<strong>Clarence \u2018Gatemouth\u2019 Brown<\/strong>\u00a0pour l\u2019album \u2018<i>Atomic Energy<\/i>\u2019 (Soprodis B.B. 305\/Blue Boys).<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"featured_media":0,"template":"elementor_header_footer","class_list":["post-1836","palmares","type-palmares","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Palmar\u00e8s 1984 - Acad\u00e9mie du Jazz<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-1984\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Palmar\u00e8s 1984 - Acad\u00e9mie du Jazz\" \/>\n<meta property=\"og:description\" content=\"Le Prix Django Reinhardt\u00a0(musicien fran\u00e7ais de l\u2019ann\u00e9e) pour l\u2019ann\u00e9e 1984 a \u00e9t\u00e9 attribu\u00e9 \u00e0\u00a0Antoine Herv\u00e9, pianiste et chef d\u2019orchestre. Le prix Sidney Bechet\u00a0(musicien Fran\u00e7ais de l\u2019ann\u00e9e jouant dans le style traditionnel) \u00e0\u00a0Fran\u00e7ois Biensan. trompettiste et chef d\u2019orchestre. Le prix Sidney Bechet \u2018In Honorem\u2019\u00a0: \u00e0\u00a0The Hot Antic Jazz Band. 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