{"id":1761,"date":"2024-01-19T22:13:11","date_gmt":"2024-01-19T21:13:11","guid":{"rendered":"https:\/\/www.academiedujazz.com\/?post_type=palmares&#038;p=1761"},"modified":"2024-01-19T22:13:56","modified_gmt":"2024-01-19T21:13:56","slug":"palmares-1995","status":"publish","type":"palmares","link":"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-1995\/","title":{"rendered":"Palmar\u00e8s 1995"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1761\" class=\"elementor elementor-1761\" data-elementor-post-type=\"palmares\">\n\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b66b883 e-flex e-con-boxed e-con e-parent\" data-id=\"b66b883\" data-element_type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;container_type&quot;:&quot;flex&quot;,&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ebcebc4 elementor-widget__width-initial b-primary elementor-widget elementor-widget-text-editor\" data-id=\"ebcebc4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 20-12-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p><strong>Au cours de la soir\u00e9e organis\u00e9e le 10 d\u00e9cembre 1995 au Club Lionel Hampton de l\u2019H\u00f4tel M\u00e9ridien Etoile \u00e0 Paris, L\u2019Acad\u00e9mie Du Jazz a d\u00e9cern\u00e9 ses prix pour l\u2019ann\u00e9e 1995\u00a0:<\/strong><\/p><p><strong>Le Prix Django Reinhardt<\/strong>\u00a0(musicien fran\u00e7ais de l\u2019ann\u00e9e)\u00a0: \u00e0\u00a0<strong>Emmanuel Bex<\/strong>, pianiste et organiste.<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Jacky Terrasson<\/strong>,\u00a0<strong>Andy Emler<\/strong>,\u00a0<strong>Laurent Dehors<\/strong>\u00a0et\u00a0<strong>Simon Goubert<\/strong>.<\/p><p><strong>Le prix Sidney Bechet<\/strong>\u00a0(musicien Fran\u00e7ais de l\u2019ann\u00e9e jouant dans le style traditionnel)\u00a0: \u00e0\u00a0<strong>Michel Bonnet<\/strong>, cornettiste.<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Michel Pastre<\/strong>,\u00a0<strong>Henri Cheron<\/strong>.<\/p><p><strong>Le Prix du meilleur disque de l\u2019ann\u00e9e<\/strong>\u00a0: \u00e0 l\u2019album \u2018<i>Paris Suite<\/i>\u2019, de\u00a0<strong>Bob Brookmeyer<\/strong>, (Challenge Records\/Night And Day).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Ahmad Jamal<\/strong>, (\u2018<i>The Essence, Vol.1<\/i>\u2019, Birdology\/Polygram),\u00a0<strong>Romano \u2013 Sclavis \u2013 Texier &#8211; Le Querrec<\/strong>, (\u2018<i>Carnet de Routes<\/i>\u2019, Label Bleu\/Harmonia Mundi),\u00a0<strong>Steve Turre<\/strong>, (\u2018<i>Rhythm Within<\/i>\u2019, Antilles Verve\/Polygram).<\/p><p><strong>Le Prix Boris Vian<\/strong>\u00a0(meilleur disque de l\u2019ann\u00e9e enregistr\u00e9 par un musicien Fran\u00e7ais)\u00a0: \u00e0 l\u2019album \u2018<i>Jacky Terrasson<\/i>\u2019, de\u00a0<strong>Jacky Terrasson<\/strong>, (Blue Note\/E.M.I. France).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Romano \u2013 Sclavis \u2013 Texier &#8211; LeQuerrec<\/strong>, (\u2018<i>Carnet de Routes<\/i>\u2019, Label Bleu \/ Harmonia Mundi), et\u00a0<strong>Gilles Naturel<\/strong>, (\u2018<i>Naturel<\/i>\u2019, JMS\/Sony Music).<\/p><p><strong>Le Prix Bobby Jaspar<\/strong>\u00a0(du musicien Europ\u00e9en r\u00e9compens\u00e9 pour l\u2019ensemble de son oeuvre)\u00a0: \u00e0\u00a0<strong>Paolo Fresu<\/strong>, trompettiste.<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Andy Sheppard<\/strong>\u00a0et\u00a0<strong>Albert Mangelsdorff<\/strong>.<\/p><p><strong>Le Prix de la Meilleure R\u00e9\u00e9dition ou du meilleur in\u00e9dit pour l\u2019ann\u00e9e<\/strong>\u00a0: \u00e0 la s\u00e9rie \u2018<strong>Anthology of Scat Singing, Vol. 1\u00e0 3<\/strong>\u2019, (Masters of Jazz\/M\u00e9dia 7).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>John Coltrane<\/strong>, (\u2018<i>The Heavyweight Champion, The Complete Atlantic Recordings<\/i>\u2019, Atlantic\/WEA Music),\u00a0<strong>Miles Davis<\/strong>, (\u2018<i>The Complete Live at The Plugged Nickle, 1965<\/i>\u2019, Columbia\/Sony Music).<\/p><p><strong>Le Prix Mahalia Jackson<\/strong>, (meilleur disque de Gospel)\u00a0: \u00e0 l\u2019album \u2018<i>I Brought Him With Me<\/i>\u2019, des\u00a0<strong>Blind Boys Of Alabama<\/strong>, (House of Blues\/BMG).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>The Caravans featuring Shirley Caesar<\/strong>, (\u2018<i>Amazing Grace<\/i>\u2019, Charly Gospel\/M\u00e9dia 7) et\u00a0<strong>Fontella Bass<\/strong>, (\u2018<i>No Ways Tired<\/i>\u2019, Nonesuch \/ WEA Music).<\/p><p><strong>Le Prix Billie Holiday<\/strong>\u00a0(meilleure nouveaut\u00e9 ou r\u00e9\u00e9dition vocale)\u00a0: \u00e0\u00a0<strong>Dee Dee bridgewater<\/strong>, pour l\u2019album \u2018<i>Love And Peace<\/i>\u2019 (Verve\/Polygram).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Peggy Lee<\/strong>, (\u2018<i>Black Coffee<\/i>\u2019, MCA\/MCA Music Entertainment),\u00a0<strong>Kurt Elling<\/strong>, (\u2018<i>Close Your Eyes<\/i>\u2019, Blue Note\/E.M.I. France) et\u00a0<strong>Vanessa Rubin<\/strong>, (\u2018<i>Sings<\/i>\u2019, Novus\/BMG).<\/p><p><strong>Le prix Big Bill Broonzy<\/strong>\u00a0du meilleur disque de blues \u00e0 l\u2019album \u2018<i>Jungle Swing<\/i>\u2019, de\u00a0<strong>Johnny Copeland<\/strong>, (Verve\/Polygram).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Snooks Eaglin<\/strong>, (\u2018<i>Soul\u2019s Edge<\/i>\u2019, Black Top\/Night And Day), et\u00a0<strong>Albert Collins and The Icebreakers<\/strong>, (\u2018<i>Live 92-93<\/i>\u2019, Point Blank\/Virgin).<\/p><p><strong>Le prix Otis Redding<\/strong>\u00a0du meilleur disque de Rhythm &amp; Blues &#8211; Soul\u00a0: \u00e0 l\u2019album \u2018<i>Back in The Game<\/i>\u2019 de\u00a0<strong>Syl Johnson<\/strong>, (Delmark\/Socadisc).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Sam Dees<\/strong>, (\u2018<i>Second to None<\/i>\u2019, Kent\/M\u00e9dia 7), et\u00a0<strong>Lee Shot Williams<\/strong>, (\u2018<i>Cold Shot<\/i>\u2019, Black Magic\/Night And Day).<\/p><p><strong>Le Prix Charles Delaunay<\/strong>\u00a0(du meilleur livre de l\u2019ann\u00e9e)\u00a0: au livre \u2018<i>Jazz Impro<\/i>\u2019, de\u00a0<strong>Geoff Dyer<\/strong>\u00a0(Editions Jo\u00eblle Lasfeld).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Philippe Adler et Pierre de Chocqueuse<\/strong>, (\u2018<i>Passeport Pour le Jazz<\/i>\u2019, \u00c9ditions Balland), et\u00a0<strong>Jacques Ponzio et Fran\u00e7ois Postif<\/strong>, (\u2018<i>Blue Monk, Portrait de Thelonious<\/i>\u2019, Editions Actes Sud).<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"featured_media":0,"template":"elementor_header_footer","class_list":["post-1761","palmares","type-palmares","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Palmar\u00e8s 1995 - Acad\u00e9mie du Jazz<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-1995\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Palmar\u00e8s 1995 - Acad\u00e9mie du Jazz\" \/>\n<meta property=\"og:description\" content=\"Au cours de la soir\u00e9e organis\u00e9e le 10 d\u00e9cembre 1995 au Club Lionel Hampton de l\u2019H\u00f4tel M\u00e9ridien Etoile \u00e0 Paris, L\u2019Acad\u00e9mie Du Jazz a d\u00e9cern\u00e9 ses prix pour l\u2019ann\u00e9e 1995\u00a0: Le Prix Django Reinhardt\u00a0(musicien fran\u00e7ais de l\u2019ann\u00e9e)\u00a0: \u00e0\u00a0Emmanuel Bex, pianiste et organiste.&#8211; Finalistes\u00a0:\u00a0Jacky Terrasson,\u00a0Andy Emler,\u00a0Laurent Dehors\u00a0et\u00a0Simon Goubert. 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