{"id":1750,"date":"2024-01-19T22:11:13","date_gmt":"2024-01-19T21:11:13","guid":{"rendered":"https:\/\/www.academiedujazz.com\/?post_type=palmares&#038;p=1750"},"modified":"2024-01-19T22:11:44","modified_gmt":"2024-01-19T21:11:44","slug":"palmares-1997","status":"publish","type":"palmares","link":"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-1997\/","title":{"rendered":"Palmar\u00e8s 1997"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1750\" class=\"elementor elementor-1750\" data-elementor-post-type=\"palmares\">\n\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b66b883 e-flex e-con-boxed e-con e-parent\" data-id=\"b66b883\" data-element_type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;container_type&quot;:&quot;flex&quot;,&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ebcebc4 elementor-widget__width-initial b-primary elementor-widget elementor-widget-text-editor\" data-id=\"ebcebc4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 20-12-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p><strong>Au cours de la soir\u00e9e organis\u00e9e le 14 d\u00e9cembre 1997 au New Morning \u00e0 Paris, L\u2019Acad\u00e9mie Du Jazz a d\u00e9cern\u00e9 ses prix pour l\u2019ann\u00e9e \u00e9coul\u00e9e\u00a0:<\/strong><\/p><p><strong>Le Prix Django Reinhardt<\/strong>\u00a0(musicien fran\u00e7ais de l\u2019ann\u00e9e)\u00a0: \u00e0\u00a0<strong>Daniel Huck<\/strong>, saxophoniste, clarinettiste et chanteur.<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Laurent Dehors<\/strong>\u00a0et\u00a0<strong>Manuel Rocheman<\/strong>.<\/p><p><strong>Le prix Sidney Bechet<\/strong>\u00a0(musicien Fran\u00e7ais de l\u2019ann\u00e9e jouant dans le style traditionnel)\u00a0: \u00e0\u00a0<strong>Romane<\/strong>, guitariste.<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Dany Doriz<\/strong>\u00a0et\u00a0<strong>Michel Senamaud<\/strong>.<\/p><p><strong>Le prix Sidney Bechet \u2018In Honorem\u2019<\/strong>\u00a0: \u00e0\u00a0<strong>Dan Vernhettes<\/strong>, trompettiste.<\/p><p><strong>Le Prix du meilleur disque de l\u2019ann\u00e9e<\/strong>\u00a0: \u00e0 l\u2019album \u2018<i>The Art of The Trio, Vol.1<\/i>\u2019, de\u00a0<strong>Brad Mehldau<\/strong>, (Warner Bros\/WEA).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Ornette Coleman\/Joachim K\u00fchn<\/strong>, (\u2018<i>Colors<\/i>\u2019, Harmonolodic \/ Polygram), et\u00a0<strong>Kenny Werner<\/strong>, (\u2018<i>A Delicate Balance<\/i>\u2019, RCA\/BMG).<\/p><p><strong>Le Prix Boris Vian<\/strong>\u00a0(meilleur disque de l\u2019ann\u00e9e enregistr\u00e9 par un musicien Fran\u00e7ais)\u00a0: \u00e0 l\u2019album \u2018<i>Blow Up<\/i>\u2019, de\u00a0<strong>Richard Galliano\/Michel Portal<\/strong>, (Dreyfus Jazz\/Sony Music).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Olivier Hutman<\/strong>, (\u2018<i>Brooklyn Eight<\/i>\u2019, RDC\/Melodie),\u00a0<strong>Laurent De Wilde<\/strong>, (\u2018<i>Spoon-a-Rhythm<\/i>\u2019, Columbia\/Sony).<\/p><p><strong>Le Prix Bobby Jaspar<\/strong>\u00a0(du musicien Europ\u00e9en r\u00e9compens\u00e9 pour l\u2019ensemble de son oeuvre)\u00a0: \u00e0\u00a0<strong>Daniel Humair<\/strong>, drummer.<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Enrico Pieranunzi<\/strong>\u00a0et\u00a0<strong>Gianluigi Trovesi<\/strong>.<\/p><p><strong>Le Prix de la Meilleure R\u00e9\u00e9dition ou du meilleur in\u00e9dit de l\u2019ann\u00e9e<\/strong>\u00a0: \u00e0 \u2018<i>The Complete 1961 Village Vanguard Recordings<\/i>\u2019, de\u00a0<strong>John Coltrane<\/strong>, (Impulse\/Universal)<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Herbie Nichols<\/strong>, (\u2018<i>The Complete Blue Note Recordings<\/i>\u2019, Blue Note \/ E.M.I),\u00a0<strong>Charles Mingus<\/strong>, (\u2018<i>Passions Of A Man, The Complete Recordings, 1956-1961<\/i>\u2019, Atlantic\/WEA),\u00a0<strong>Anthology of Jazz Drumming, Vol.1 &amp; 2<\/strong>, (Masters of Jazz\/M\u00e9dia 7).<\/p><p><strong>Le Prix Mahalia Jackson<\/strong>, (meilleur disque de Gospel)\u00a0: \u00e0 l\u2019album \u2018<i>I\u2019ve Got A Testimony<\/i>\u2019, de\u00a0<strong>Clay Evans<\/strong>, (Fr\u00e9meaux &amp; Associ\u00e9s\/Night And Day).<br class=\"autobr\" \/><i>&#8211; Finaliste<\/i>\u00a0:\u00a0<strong>The Golden Gate Quartet<\/strong>, (\u2018<i>He Walks And He Talks<\/i>\u2019, (CD\/MSI).<\/p><p><strong>Le Prix Billie Holiday<\/strong>\u00a0(meilleure nouveaut\u00e9 ou r\u00e9\u00e9dition vocale)\u00a0:\u00a0<strong>Ex-Aequo<\/strong>\u00a0\u00e0\u00a0<strong>Kurt Elling<\/strong>, pour l\u2019album \u2018<i>The Messenger<\/i>\u2019, (Blue Note\/E.M.I.)\u00a0<strong>et<\/strong>\u00a0\u00e0\u00a0<strong>Mark Murphy<\/strong>, pour \u2018<i>Song Of The Geese<\/i>\u2019, (RCA Victor\/BMG).<br class=\"autobr\" \/><i>&#8211; Finaliste<\/i>\u00a0:\u00a0<strong>Diane Reeves<\/strong>, (\u2018<i>New Morning<\/i>\u2019, Blue Note\/E.M.I.).<\/p><p><strong>Le prix Big Bill Broonzy<\/strong>\u00a0du meilleur disque de blues \u00e0 l\u2019album \u2018<i>Leaving Here Walking<\/i>\u2019, de\u00a0<strong>Jimmy Burns<\/strong>, (Delmark\/Socadisc).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Clarence Gatemouth Brown<\/strong>, (\u2018<i>Gate Wings<\/i>\u2019, Verve \/ Polygram), et\u00a0<strong>Deitra Farr<\/strong>, (\u2018<i>The Search is Over<\/i>\u2019, JSP Records\/M\u00e9dia 7).<\/p><p><strong>Le prix Otis Redding<\/strong>\u00a0du meilleur disque de Rhythm &amp; Blues &#8211; Soul\u00a0: \u00e0 l\u2019album \u2018<i>Rescued<\/i>\u2019 de\u00a0<strong>Fontelle Bass<\/strong>, (MCA-Chess\/Universal).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Lavelle White<\/strong>, (\u2018<i>It Haven\u2019t Been Easy<\/i>\u2019, Antone\u2019s\/Night And Day), et\u00a0<strong>Eddie Bo<\/strong>, (\u2018<i>Shoot Rom The Root<\/i>\u2019, Soulciety\/Night And Day).<\/p><p><strong>Le Prix Charles Delaunay<\/strong>\u00a0(du meilleur livre de l\u2019ann\u00e9e)\u00a0: au livre \u2018<i>Une Histoire de la Batterie de Jazz, Tome 1<\/i>\u2019, de\u00a0<strong>Georges Paczynski<\/strong>\u00a0(Outre Mesure).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0: \u2019<i>Le Livre du Jazz en France<\/i>\u2019, (UMJ\/Outre Mesure),\u00a0<strong>Christian Bethune<\/strong>, (\u2018<i>Sidney BECHET<\/i>\u2019, Parenth\u00e8ses), et\u00a0<strong>Francis Marmande<\/strong>, (\u2018<i>La Chambre D\u2019Amour<\/i>\u2019, Editions du Scorff).<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"featured_media":0,"template":"elementor_header_footer","class_list":["post-1750","palmares","type-palmares","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Palmar\u00e8s 1997 - Acad\u00e9mie du Jazz<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-1997\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Palmar\u00e8s 1997 - Acad\u00e9mie du Jazz\" \/>\n<meta property=\"og:description\" content=\"Au cours de la soir\u00e9e organis\u00e9e le 14 d\u00e9cembre 1997 au New Morning \u00e0 Paris, L\u2019Acad\u00e9mie Du Jazz a d\u00e9cern\u00e9 ses prix pour l\u2019ann\u00e9e \u00e9coul\u00e9e\u00a0: Le Prix Django Reinhardt\u00a0(musicien fran\u00e7ais de l\u2019ann\u00e9e)\u00a0: \u00e0\u00a0Daniel Huck, saxophoniste, clarinettiste et chanteur.&#8211; 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