{"id":1745,"date":"2024-01-19T22:09:31","date_gmt":"2024-01-19T21:09:31","guid":{"rendered":"https:\/\/www.academiedujazz.com\/?post_type=palmares&#038;p=1745"},"modified":"2024-01-19T22:10:11","modified_gmt":"2024-01-19T21:10:11","slug":"palmares-1998","status":"publish","type":"palmares","link":"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-1998\/","title":{"rendered":"Palmar\u00e8s 1998"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1745\" class=\"elementor elementor-1745\" data-elementor-post-type=\"palmares\">\n\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b66b883 e-flex e-con-boxed e-con e-parent\" data-id=\"b66b883\" data-element_type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;container_type&quot;:&quot;flex&quot;,&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ebcebc4 elementor-widget__width-initial b-primary elementor-widget elementor-widget-text-editor\" data-id=\"ebcebc4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 20-12-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p><strong>Au cours de la soir\u00e9e organis\u00e9e le 13 d\u00e9cembre 1998 au New Morning \u00e0 Paris, L\u2019Acad\u00e9mie Du Jazz a d\u00e9cern\u00e9 ses prix pour l\u2019ann\u00e9e \u00e9coul\u00e9e\u00a0:<\/strong><\/p><p><strong>Le Prix Django Reinhardt<\/strong>\u00a0(musicien fran\u00e7ais de l\u2019ann\u00e9e)\u00a0: \u00e0\u00a0<strong>Manuel Rocheman<\/strong>, pianiste.<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Sophia Domancich<\/strong>\u00a0et\u00a0<strong>Dominique Pifarely<\/strong>.<\/p><p><strong>Le prix Sidney Bechet<\/strong>\u00a0(musicien Fran\u00e7ais de l\u2019ann\u00e9e jouant dans le style traditionnel)\u00a0: \u00e0\u00a0<strong>Michel Denis<\/strong>, drummer.<\/p><p><strong>Le Prix du meilleur disque de l\u2019ann\u00e9e<\/strong>\u00a0: \u00e0 l\u2019album \u2018<i>Triple Entente<\/i>\u2019, du\u00a0<strong>Trio Joachim K\u00fchn\/Daniel Humair\/Jean-Fran\u00e7ois Jenny-Clark<\/strong>,(Mercury \/ Polygram).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Herbie Hancock<\/strong>, (\u2018<i>Gershwin\u2019s World<\/i>\u2019, Verve \/ Polygram ),<strong>Lee Konitz\/Brad Mehldau\/Charlie Haden<\/strong>, (\u2018<i>Alone Together<\/i>\u2019, Blue Note\/E.M.I.), et\u00a0<strong>Brad Mehldau<\/strong>, (\u2018<i>Songs, The Art of The Trio, Vol.3<\/i>\u2019, (Warner Bros.\/WEA).<\/p><p><strong>Le Prix Boris Vian<\/strong>\u00a0(meilleur disque de l\u2019ann\u00e9e enregistr\u00e9 par un musicien Fran\u00e7ais)\u00a0: \u00e0 l\u2019album \u2018<i>Mosa\u00efc Man<\/i>\u2019, d\u2019<strong>Henri Texier<\/strong>, (Label Bleu\/Harmonia Mundi).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Georges Arvanitas<\/strong>, (\u2018<i>Rencontres<\/i>\u2019, Columbia\/Sony),\u00a0<strong>Stan Laferriere<\/strong>, (\u2018<i>A Duke\u2019s Scent<\/i>\u2019, Nocturne\/M\u00e9dia 7),\u00a0<strong>Dominique Pifarely\/Fran\u00e7ois Couturier<\/strong>, (\u2018<i>Poros<\/i>\u2019, ECM\/Polygram), et\u00a0<strong>Manuel Rocheman<\/strong>, (\u2018<i>Come Shine<\/i>\u2019, Columbia\/Sony).<\/p><p><strong>Le Prix Bobby Jaspar<\/strong>\u00a0(du musicien Europ\u00e9en r\u00e9compens\u00e9 pour l\u2019ensemble de son oeuvre)\u00a0: \u00e0\u00a0<strong>Enrico Pieranunzi<\/strong>, pianiste.<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Joachim K\u00fchn<\/strong>\u00a0et\u00a0<strong>David Linx<\/strong>.<\/p><p><strong>Le Prix de la Meilleure R\u00e9\u00e9dition ou du meilleur in\u00e9dit de l\u2019ann\u00e9e<\/strong>\u00a0: \u00e0 \u2018<i>The Complete 1959 Columbia Recordings<\/i>\u2019, de\u00a0<strong>Charles Mingus<\/strong>, (Columbia \/ Sony)<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Carla BLEY<\/strong>, (\u2018<i>Escalator Over The Hill<\/i>\u2019, Watt\/Polygram),\u00a0<strong>Miles Davis<\/strong>, (\u2018<i>Quintet 1965-1968, The Complete Columbia Recordings<\/i>\u2019, Columbia\/Sony),\u00a0<strong>Bill Evans<\/strong>, (\u2018<i>Paris Concert Editions, Vol.1 &amp; 2<\/i>\u2019, Elektra \/ WEA) et\u00a0<strong>Thelonious Monk<\/strong>, (\u2018<i>Monk Alone\u00a0: The Complete Columbia Solo Studio Recordings 1962-1968<\/i>\u2019, Columbia\/Sony).<\/p><p><strong>Le Prix Fats Waller<\/strong>\u00a0(meilleur disque de jazz classique ou traditionnel)\u00a0: \u00e0 l\u2019album \u2018<i>One More Time<\/i>\u2019, du\u00a0<strong>Paris Washboard Band<\/strong>\u00a0(Stomp Off\/Jazztrad).<\/p><p><strong>Le Prix Mahalia Jackson<\/strong>, (meilleur disque de Gospel)\u00a0: \u00e0 l\u2019album \u2018<strong>Mahalia Jackson, Volume 1, 1937\/1946<\/strong>\u2019, (Fr\u00e9meaux &amp; Associ\u00e9s\/Night And Day).<\/p><p><strong>Le Prix Billie Holiday<\/strong>\u00a0(meilleure nouveaut\u00e9 ou r\u00e9\u00e9dition vocale)\u00a0: \u00e0\u00a0<strong>Shirley Horn<\/strong>, pour l\u2019album \u2018<i>I remember Miles<\/i>\u2019, (Verve\/Polygram).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Blossom Dearie<\/strong>, (\u2018<i>I\u2019m Hip<\/i>\u2019, Columbia \/ Sony),\u00a0<strong>Anita O\u2019Day<\/strong>, (\u2018<i>All The Sad Young Men<\/i>\u2019, Verve\/Polygram).<\/p><p><strong>Le prix Big Bill Broonzy<\/strong>\u00a0du meilleur disque de blues \u00e0 l\u2019album \u2018<i>Lucky 13<\/i>\u2019, de\u00a0<strong>Big Lucky Carter<\/strong>, (Blueside\/M\u00e9dia 7).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Magic Slim<\/strong>, (\u2018<i>Black Tornado<\/i>\u2019, Blind Pig\/MSI),\u00a0<strong>Shemekia Copeland<\/strong>, (\u2018<i>Turn The Hit Up<\/i>\u2019, Alligator\/Night And Day).<\/p><p><strong>Le prix Otis Redding<\/strong>\u00a0du meilleur disque de Rhythm &amp; Blues &#8211; Soul\u00a0: \u00e0 l\u2019album \u2018<i>Man Of My Word<\/i>\u2019 de\u00a0<strong>Johnny Adams<\/strong>, (Rounder\/Night And Day).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Mighty Sam McClain<\/strong>, (\u2018<i>Journey<\/i>\u2019, Audioquest\/Socadisc), et\u00a0<strong>Screaming Jay HAWKINS<\/strong>, (\u2018<i>At Last<\/i>\u2019, Last Call\/Wagram).<\/p><p><strong>Le Prix Charles Delaunay<\/strong>\u00a0(du meilleur livre de l\u2019ann\u00e9e)\u00a0: au livre \u2018<i>Jazz Me Blues, (Photographies de Jean-Pierre Leloir)<\/i>\u2019, de\u00a0<strong>Fran\u00e7ois Postif<\/strong>\u00a0(Outre Mesure).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Gunther Schuller<\/strong>, (\u2018<i>L\u2019Histoire du Jazz, 1\u00a0: Le premier jazz des Origines \u00e0 1930<\/i>\u2019, Parenth\u00e8ses\/P.U.F.),\u00a0<strong>Alain Tercinet<\/strong>, (\u2018<i>Parker\u2019s Mood<\/i>\u2019, Parenth\u00e8ses).<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"featured_media":0,"template":"elementor_header_footer","class_list":["post-1745","palmares","type-palmares","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Palmar\u00e8s 1998 - Acad\u00e9mie du Jazz<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-1998\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Palmar\u00e8s 1998 - Acad\u00e9mie du Jazz\" \/>\n<meta property=\"og:description\" content=\"Au cours de la soir\u00e9e organis\u00e9e le 13 d\u00e9cembre 1998 au New Morning \u00e0 Paris, L\u2019Acad\u00e9mie Du Jazz a d\u00e9cern\u00e9 ses prix pour l\u2019ann\u00e9e \u00e9coul\u00e9e\u00a0: Le Prix Django Reinhardt\u00a0(musicien fran\u00e7ais de l\u2019ann\u00e9e)\u00a0: \u00e0\u00a0Manuel Rocheman, pianiste.&#8211; 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