{"id":1737,"date":"2024-01-19T22:08:33","date_gmt":"2024-01-19T21:08:33","guid":{"rendered":"https:\/\/www.academiedujazz.com\/?post_type=palmares&#038;p=1737"},"modified":"2024-01-19T22:09:10","modified_gmt":"2024-01-19T21:09:10","slug":"palmares-1999","status":"publish","type":"palmares","link":"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-1999\/","title":{"rendered":"Palmar\u00e8s 1999"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1737\" class=\"elementor elementor-1737\" data-elementor-post-type=\"palmares\">\n\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b66b883 e-flex e-con-boxed e-con e-parent\" data-id=\"b66b883\" data-element_type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;container_type&quot;:&quot;flex&quot;,&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ebcebc4 elementor-widget__width-initial b-primary elementor-widget elementor-widget-text-editor\" data-id=\"ebcebc4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 20-12-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p><strong>Au cours de la soir\u00e9e organis\u00e9e le 12 d\u00e9cembre 1999 au New Morning \u00e0 Paris, L\u2019Acad\u00e9mie Du Jazz a d\u00e9cern\u00e9 ses prix pour l\u2019ann\u00e9e \u00e9coul\u00e9e<\/strong>\u00a0:<\/p><p><strong>Le Prix Django Reinhardt<\/strong>\u00a0(musicien fran\u00e7ais de l\u2019ann\u00e9e)\u00a0: \u00e0\u00a0<strong>Sophia Domancich<\/strong>, pianiste.<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Stan Laferriere<\/strong>\u00a0et\u00a0<strong>Claude Tissendier<\/strong>.<\/p><p><strong>Le prix Sidney Bechet<\/strong>\u00a0(musicien Fran\u00e7ais de l\u2019ann\u00e9e jouant dans le style traditionnel)\u00a0: \u00e0\u00a0<strong>Michel Pastre<\/strong>, saxophoniste.<\/p><p><strong>Le Prix du meilleur disque de l\u2019ann\u00e9e<\/strong>\u00a0: \u00e0\u00a0<strong>John Lewis<\/strong>, pour l\u2019album \u2018<i>Evolution<\/i>\u2019, (Atlantic\/WEA).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Michael Brecker<\/strong>, (\u2018<i>Time Is Of The Essence<\/i>\u2019, Verve \/ Universal),\u00a0<strong>Bill Carothers<\/strong>, (\u2018<i>Duets With Bill Stewart<\/i>\u2019, Birdology \/ WEA).<\/p><p><strong>Le Prix Boris Vian<\/strong>\u00a0(meilleur disque de l\u2019ann\u00e9e enregistr\u00e9 par un musicien Fran\u00e7ais)\u00a0: \u00e0 l\u2019album \u2018<i>Afterblue<\/i>\u2019, d\u2019<strong>Alain Jean-Marie<\/strong>, (Sha\u00ef\/Sony).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Daniel Humair \/ Ren\u00e9 Urtreger \/ Pierre Michelot<\/strong>, (\u2018<i>HUM<\/i>\u2019, Sketch \/ Harmonia Mundi),\u00a0<strong>Prysm<\/strong>, (\u2018<i>Time<\/i>\u2019, Blue Note \/ E.M.I.).<\/p><p><strong>Le Prix Bobby Jaspar<\/strong>\u00a0(du musicien Europ\u00e9en r\u00e9compens\u00e9 pour l\u2019ensemble de son oeuvre)\u00a0: \u00e0\u00a0<strong>Philip Catherine<\/strong>, guitariste.<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Nathalie Loriers<\/strong>\u00a0et\u00a0<strong>David Linx<\/strong>.<\/p><p><strong>Le Prix de la Meilleure R\u00e9\u00e9dition ou du meilleur in\u00e9dit<\/strong>\u00a0de l\u2019ann\u00e9e\u00a0: \u00e0 \u2018<i>Ellington At Newport 1956 (Complete)<\/i>\u2019 de\u00a0<strong>Duke Ellington<\/strong>, (Columbia\/Sony)<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Eric Dolphy<\/strong>, (\u2018<i>The Illinois Concert<\/i>\u2019, Blue Note\/E.M.I.), Les\u00a0<strong>Double Six<\/strong>, (\u2018<i>Les Double Six Rencontrent Quincy JONES<\/i>\u2019, RCA\/BMG),\u00a0<strong>Lester Young<\/strong>, (\u2018<i>The Complete Studio Sessions on Verve<\/i>\u2019, Verve\/Universal).<\/p><p><strong>Le Prix Fats Waller<\/strong>\u00a0(meilleur disque de jazz classique ou traditionnel)\u00a0: \u00e0 l\u2019album \u2018<strong>\u00a0<i>From Spiritual To Swing<\/i>\u00a0<\/strong>\u2019, (Vanguard\/WEA).<br class=\"autobr\" \/><i>&#8211; Finaliste<\/i>\u00a0:\u00a0<strong>Marc Laferriere<\/strong>, (\u2018<i>Full of Beans<\/i>\u2019, Jazztrad\/Olivier Brard)<\/p><p><strong>Le Prix Mahalia Jackson<\/strong>, (meilleur disque Gospel)\u00a0: \u00e0 l\u2019album \u2018<i>Sacred Steel-Live<\/i>\u2019, (Arhoolie\/Concord), du\u00a0<strong>Sacred Steel Band<\/strong>\u00a0(Gerrit Mutz, J\u00f6rg Michael Knittel \u2026)<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Marion Williams<\/strong>, (\u2018<i>The Gospel Soul Of Marion Williams<\/i>\u2019, Shanachie\/Keltia), et \u2018<strong>\u00a0<i>Gospel, La Grande Anthologie, 1927-1963<\/i>\u00a0<\/strong>\u2019, (Body And Soul\/Wagram).<\/p><p><strong>Le Prix Billie Holiday<\/strong>\u00a0(meilleure nouveaut\u00e9 ou r\u00e9\u00e9dition vocale)\u00a0: \u00e0\u00a0<strong>Diana Krall<\/strong>, pour l\u2019album \u2018<i>When I look In Your Eyes<\/i>\u2019, (Verve\/Universal).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Meredith d\u2019Ambrosio<\/strong>, (\u2018<i>Echo Of A Kiss<\/i>\u2019, Sunnyside \/ Harmonia Mundi),\u00a0<strong>Diana Washington<\/strong>, (\u2018<i>The Swingin\u2019 Miss D<\/i>\u2019, Verve \/ Universal).<\/p><p><strong>Le prix Big Bill Broonzy<\/strong>\u00a0du meilleur disque de blues \u00e0 l\u2019album \u2018<i>Lone-Star Shootout<\/i>\u2019, de\u00a0<strong>Lonnie Brooks\/Long John Hunter\/Philip Walker<\/strong>, (Alligator\/Night And Day).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Frank Ash<\/strong>, (\u2018<i>This Must Be Love<\/i>\u2019, Big Bang\/ Night And Day),\u00a0<strong>Clarence Gatemouth Brown<\/strong>, (\u2018<i>American Music, Texas Style<\/i>\u2019, Blue Thumb \/ Universal).<\/p><p><strong>Le prix Otis Redding\u00a0<\/strong>du meilleur disque de Rhythm &amp; Blues &#8211; Soul\u00a0: \u00e0 l\u2019album \u2018<i>Blues Is My Wailin\u2019 Wall<\/i>\u2019 de\u00a0<strong>Mighty Mo Rodgers<\/strong>, (Blue Thumb\/Universal).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Ruth Brown<\/strong>, (\u2018<i>A Good Day For The Blues<\/i>\u2019, Bullseye \/ Night And Day), et\u00a0<strong>Albert Washington<\/strong>, (\u2018<i>Blues &amp; Soul Man<\/i>\u2019, Ace\/Night And Day).<\/p><p><strong>Le Prix Charles Delaunay<\/strong>\u00a0(du meilleur livre de l\u2019ann\u00e9e)\u00a0: au livre \u2018<i>Fiesta In Blue &#8211; Textes de Jazz<\/i>\u2019, d\u2019<strong>Alain Gerber<\/strong>\u00a0(Editions Alive).<br class=\"autobr\" \/><i>&#8211; Finalistes<\/i>\u00a0:\u00a0<strong>Fran\u00e7ois Charles<\/strong>, (\u2018<i>Histoire des Guitares Selmer &#8211; Macafferri<\/i>\u2019, Fran\u00e7ois Charles Editions), et\u00a0<strong>Alain Pailler<\/strong>, (\u2018<i>Plaisir d\u2019Ellington<\/i>\u2019, Editions Actes Sud).<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"featured_media":0,"template":"elementor_header_footer","class_list":["post-1737","palmares","type-palmares","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Palmar\u00e8s 1999 - Acad\u00e9mie du Jazz<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-1999\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Palmar\u00e8s 1999 - Acad\u00e9mie du Jazz\" \/>\n<meta property=\"og:description\" content=\"Au cours de la soir\u00e9e organis\u00e9e le 12 d\u00e9cembre 1999 au New Morning \u00e0 Paris, L\u2019Acad\u00e9mie Du Jazz a d\u00e9cern\u00e9 ses prix pour l\u2019ann\u00e9e \u00e9coul\u00e9e\u00a0: Le Prix Django Reinhardt\u00a0(musicien fran\u00e7ais de l\u2019ann\u00e9e)\u00a0: \u00e0\u00a0Sophia Domancich, pianiste.&#8211; 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