{"id":1593,"date":"2024-01-19T21:17:50","date_gmt":"2024-01-19T20:17:50","guid":{"rendered":"https:\/\/www.academiedujazz.com\/?post_type=palmares&#038;p=1593"},"modified":"2024-01-19T21:32:11","modified_gmt":"2024-01-19T20:32:11","slug":"palmares-2017","status":"publish","type":"palmares","link":"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-2017\/","title":{"rendered":"Palmar\u00e8s 2017"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1593\" class=\"elementor elementor-1593\" data-elementor-post-type=\"palmares\">\n\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b66b883 e-flex e-con-boxed e-con e-parent\" data-id=\"b66b883\" data-element_type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;container_type&quot;:&quot;flex&quot;,&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ebcebc4 elementor-widget__width-initial b-primary elementor-widget elementor-widget-text-editor\" data-id=\"ebcebc4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 20-12-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p><strong>Au cours de la soir\u00e9e organis\u00e9e le 12 d\u00e9cembre 2017 au Goethe Institute de Paris, sous la pr\u00e9sidence de Fran\u00e7ois Lacharme, et en pr\u00e9sence de Claude Carri\u00e8re, Pr\u00e9sident d\u2019Honneur, L\u2019Acad\u00e9mie Du Jazz a d\u00e9cern\u00e9 ses prix pour l\u2019ann\u00e9e \u00e9coul\u00e9e. Leur remise a eu lieu lors de la soir\u00e9e de gala organis\u00e9e le dimanche 21 janvier 2018 au \u2019Pan Piper\u2019, 2-4 Impasse Lamier, Paris (11\u00e8me)\u00a0:<\/strong><\/p><p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-full wp-image-1617\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/10_-_prix_django-262e1.jpeg\" alt=\"\" width=\"500\" height=\"375\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/10_-_prix_django-262e1.jpeg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/10_-_prix_django-262e1-300x225.jpeg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p>Musicien(ne) fran\u00e7ais(e) de l\u2019ann\u00e9e.<br class=\"autobr\" \/><strong>C\u00e9cile McLORIN SALVANT<\/strong>, vocaliste.<\/p><p>Finalistes\u00a0:\u00a0<strong>Vincent Bourgeyx<\/strong>\u00a0et\u00a0<strong>Th\u00e9o Ceccaldi<\/strong>.<\/p><p><img decoding=\"async\" class=\"alignnone size-full wp-image-1618\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/6_-_prix_academie-97a53.jpeg\" alt=\"\" width=\"500\" height=\"375\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/6_-_prix_academie-97a53.jpeg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/6_-_prix_academie-97a53-300x225.jpeg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p>Meilleur disque de l\u2019ann\u00e9e.<br class=\"autobr\" \/><strong>Christian McBRIDE BIG BAND<\/strong>\u00a0pour l\u2019album \u00ab\u00a0<strong>\u00a0Bringin\u2019It<\/strong>\u00a0\u00bb (Mack Avenue \/ Pias)<\/p><p>Finalistes\u00a0: Martial Solal &amp; Dave Liebman pour \u00ab\u00a0<strong>Masters in Bordeaux<\/strong>\u00a0\u00bb (Sunnyside \/ Socadisc), et Vijay Iyer Sextet pour \u00ab\u00a0<strong>Far From Over<\/strong>\u00a0\u00bb (ECM \/ Universal).<\/p><p><img decoding=\"async\" class=\"alignnone size-full wp-image-1619\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/3_-_prix_france-35c5a.jpeg\" alt=\"\" width=\"500\" height=\"375\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/3_-_prix_france-35c5a.jpeg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/3_-_prix_france-35c5a-300x225.jpeg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p>Meilleur disque enregistr\u00e9 dans l\u2019ann\u00e9e par un musicien fran\u00e7ais.<br class=\"autobr\" \/><strong>Laurent DE WILDE<\/strong>\u00a0pour l\u2019album \u00ab\u00a0<strong>NEW Monk Trio<\/strong>\u00a0\u00bb (Gazebo \/ L\u2019Autre Distribution)<\/p><p>Finalistes\u00a0: Andr\u00e9 Vill\u00e9ger \/ Philippe Milanta \/ Thomas Bramerie pour \u00ab\u00a0<strong>Strictly Strayhorn\u00a0<\/strong>\u00a0\u00bb (Camille Productions \/ Socadisc), et Herv\u00e9 Sellin Quartet pour \u00ab\u00a0A<strong>lways Too Soon<\/strong>\u00a0\u00bb (Cristal \/ Sony Music).<\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1620\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/4_-_prix_europe-2093f.jpeg\" alt=\"\" width=\"500\" height=\"375\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/4_-_prix_europe-2093f.jpeg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/4_-_prix_europe-2093f-300x225.jpeg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p>R\u00e9compens\u00e9(e) pour son \u0153uvre ou son actualit\u00e9 r\u00e9cente\u00a0:<br class=\"autobr\" \/><strong>Susanne ABBUEHL<\/strong><\/p><p>Finalistes\u00a0:\u00a0<strong>Samuel Blaser<\/strong>\u00a0et\u00a0<strong>Andreas Schaerer<\/strong>.<\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1621\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/2_-_prix_inedit_ou_reedition-17dfa.jpeg\" alt=\"\" width=\"500\" height=\"375\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/2_-_prix_inedit_ou_reedition-17dfa.jpeg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/2_-_prix_inedit_ou_reedition-17dfa-300x225.jpeg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p><strong>Ex-aequo<\/strong>\u00a0<strong>THELONIOUS MONK\u00a0: \u00ab\u00a0Les liaisons dangereuses 1960\u00a0\u00bb<\/strong>\u00a0(Sam Records &#8211; Saga \/ Pias) &amp;\u00a0<strong>LUCKY THOMPSON \u00ab\u00a0Complete Parisian Small Group Sessions 1956-1959\u00a0\u00bb<\/strong>\u00a0(Fresh Sound \/ Socadisc).<\/p><p>Finaliste\u00a0:\u00a0<strong>Woody Shaw &amp; Louis Hayes<\/strong>\u00a0\u00ab\u00a0The Tour Volume Two\u00a0\u00bb (HighNote).<\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1622\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/3_-_prix_classique-7aeb1.jpeg\" alt=\"\" width=\"500\" height=\"375\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/3_-_prix_classique-7aeb1.jpeg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/3_-_prix_classique-7aeb1-300x225.jpeg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p>Meilleur disque de jazz classique enregistr\u00e9 dans l\u2019ann\u00e9e.<br class=\"autobr\" \/><strong>MICHEL PASTRE 5tet Featuring DANY DORIZ &amp; KEN PEPLOWSKI<\/strong>\u00a0pour l\u2019album \u00ab\u00a0<strong>Tribute to Lionel Hampton<\/strong>\u00a0\u00bb (Autoproduction).<\/p><p>Finalistes\u00a0:\u00a0<strong>Pierre Christophe 4tet<\/strong>\u00a0pour \u00ab\u00a0Tribute to Erroll Garner\u00a0\u00bb (Camille Productions \/ Socadisc), et\u00a0<strong>Bill Charlap Trio<\/strong>\u00a0pour \u00ab\u00a0Uptown, Downtown\u00a0\u00bb (Impulse\u00a0! \/ Universal).<\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1623\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/5_-_vocal-c9d8f.jpeg\" alt=\"\" width=\"500\" height=\"375\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/5_-_vocal-c9d8f.jpeg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/5_-_vocal-c9d8f-300x225.jpeg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p><strong>KARIN KROG<\/strong>\u00a0pour le coffret \u00ab\u00a0<strong>The Many Faces of Karin Krog, Recordings 1967-2017<\/strong>\u00a0\u00bb (Odin \/ Outhere).<\/p><p>Finalistes\u00a0:\u00a0<strong>M\u00e9lanie De Biasio<\/strong>\u00a0pour \u00ab\u00a0Lilies\u00a0\u00bb (Le Label \/ Pias), et\u00a0<strong>Lizz Wright<\/strong>\u00a0pour \u00ab\u00a0Grace\u00a0\u00bb (Concord \/ Universal).<\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1624\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/4_-_prix_soul-1d794.jpeg\" alt=\"\" width=\"500\" height=\"375\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/4_-_prix_soul-1d794.jpeg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/4_-_prix_soul-1d794-300x225.jpeg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p><strong>THE COMO MAMAS<\/strong>\u00a0pour l\u2019album \u00ab\u00a0<strong>Move Upstairs<\/strong>\u00a0\u00bb (Daptone).<\/p><p>Finalistes\u00a0: Don Bryant pour \u00ab\u00a0<strong>Don\u2019t Give Up On Love<\/strong>\u00a0\u00bb (Fat Possum \/ Differ-Ant), et Daniel Caesar pour \u00ab\u00a0<strong>Freudian<\/strong>\u00a0\u00bb (Golden Child).<\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1625\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/9_-_prix_blues-47787.jpeg\" alt=\"\" width=\"500\" height=\"375\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/9_-_prix_blues-47787.jpeg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/9_-_prix_blues-47787-300x225.jpeg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p>\u00a0<\/p><p><strong>THORNETTA DAVIS<\/strong>\u00a0pour l\u2019album \u00ab\u00a0<strong>Honest Woman<\/strong>\u00a0\u00bb (Sweet Mama Music).<\/p><p>Finalistes\u00a0: John Blues Boyd pour \u00ab\u00a0<strong>The Real Deal<\/strong>\u00a0\u00bb (Little Village Foundation), et Monster Mike Welch &amp; Mike Ledbetter pour \u00ab\u00a0<strong>Right Place, Right Time<\/strong>\u00a0\u00bb (Delta Groove).<\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1626\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/1_-_prix_livre-9a357.jpeg\" alt=\"\" width=\"500\" height=\"375\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/1_-_prix_livre-9a357.jpeg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/1_-_prix_livre-9a357-300x225.jpeg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p><strong>PIERRE FARGETON<\/strong>\u00a0pour \u00ab\u00a0<strong>Andr\u00e9 Hodeir, le jazz et son double<\/strong>\u00a0\u00bb (\u00c9ditions Sym\u00e9trie).<\/p><p>Finalistes\u00a0:\u00a0<strong>Ray Celestin<\/strong>\u00a0pour \u00ab\u00a0Mascarade\u00a0\u00bb (Le Cherche Midi), et\u00a0<strong>Jacques Ponzio<\/strong>\u00a0pour \u00ab\u00a0Ab\u00e9c\u00e9daire Thelonious Monk ABC-Book\u00a0\u00bb (Lenka Lente).<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"featured_media":0,"template":"elementor_header_footer","class_list":["post-1593","palmares","type-palmares","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Palmar\u00e8s 2017 - Acad\u00e9mie du Jazz<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-2017\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Palmar\u00e8s 2017 - Acad\u00e9mie du Jazz\" \/>\n<meta property=\"og:description\" content=\"Au cours de la soir\u00e9e organis\u00e9e le 12 d\u00e9cembre 2017 au Goethe Institute de Paris, sous la pr\u00e9sidence de Fran\u00e7ois Lacharme, et en pr\u00e9sence de Claude Carri\u00e8re, Pr\u00e9sident d\u2019Honneur, L\u2019Acad\u00e9mie Du Jazz a d\u00e9cern\u00e9 ses prix pour l\u2019ann\u00e9e \u00e9coul\u00e9e. 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