{"id":1577,"date":"2024-01-19T21:08:32","date_gmt":"2024-01-19T20:08:32","guid":{"rendered":"https:\/\/www.academiedujazz.com\/?post_type=palmares&#038;p=1577"},"modified":"2024-01-19T21:23:51","modified_gmt":"2024-01-19T20:23:51","slug":"palmares-2018","status":"publish","type":"palmares","link":"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-2018\/","title":{"rendered":"Palmar\u00e8s 2018"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1577\" class=\"elementor elementor-1577\" data-elementor-post-type=\"palmares\">\n\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b66b883 e-flex e-con-boxed e-con e-parent\" data-id=\"b66b883\" data-element_type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;container_type&quot;:&quot;flex&quot;,&quot;content_width&quot;:&quot;boxed&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ebcebc4 elementor-widget__width-initial b-primary elementor-widget elementor-widget-text-editor\" data-id=\"ebcebc4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.18.0 - 20-12-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p><strong>Au cours de la soir\u00e9e organis\u00e9e le 11 d\u00e9cembre 2018 au Goethe Institute de Paris, sous la pr\u00e9sidence de Fran\u00e7ois Lacharme, et en pr\u00e9sence de Claude Carri\u00e8re, Pr\u00e9sident d\u2019Honneur, l\u2019Acad\u00e9mie du Jazz a d\u00e9cern\u00e9 ses prix pour l\u2019ann\u00e9e \u00e9coul\u00e9e.<br \/>Leur remise a eu lieu au cours de la soir\u00e9e de gala organis\u00e9e le samedi 9 f\u00e9vrier 2019 au grand auditorium de la \u2018Seine Musicale\u2019, 1 Ile Seguin, 92100 &#8211; Boulogne Billancourt\u00a0<\/strong>\u00a0:<\/p><p><strong>Prix Django Reinhardt<\/strong>\u00a0(musicien fran\u00e7ais de l\u2019ann\u00e9e),<br \/>avec le soutien de la Fondation BNP Paribas\u00a0:<br \/><strong>BAPTISTE HERBIN<\/strong>, saxophoniste.<\/p><p><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/1._prix_d.r.b-2-79617.jpg\" alt=\"\" width=\"500\" height=\"375\" \/><\/p><p>Finalistes\u00a0:\u00a0<strong>Th\u00e9o Ceccaldi<\/strong>\u00a0(violon) et\u00a0<strong>Fabien Mary<\/strong>\u00a0(trompette).<\/p><p>__________________<\/p><p><strong>Grand Prix de l\u2019Acad\u00e9mie du Jazz<\/strong>, (meilleur disque de l\u2019ann\u00e9e)\u00a0:<br \/><strong>KENNY BARRON QUINTET<\/strong>, pour l\u2019album \u00ab\u00a0<strong>Concentric Circles<\/strong>\u00a0\u00bb<br \/>(Blue Note \/ Universal).<\/p><p><img decoding=\"async\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/2._gpaj-7e092.jpg\" alt=\"\" width=\"500\" height=\"375\" \/><\/p><p>Finalistes\u00a0:\u00a0<strong>Snorre Kirk<\/strong>\u00a0pour \u00ab\u00a0Beat\u00a0\u00bb (Stunt \/ UVM),\u00a0<strong>Steve Coleman<\/strong>\u00a0pour \u00ab\u00a0Live at the Village Vanguard, Vol.1\u00a0\u00bb (Pi Recordings \/ Orkh\u00eastra), et\u00a0<strong>Ben Wendel<\/strong>\u00a0pour \u00ab\u00a0The Seasons\u00a0\u00bb (Mot\u00e9ma \/ Pias).<\/p><p>__________________<\/p><p><strong>Prix du Disque Fran\u00e7ais<\/strong>, (meilleur disque enregistr\u00e9 par un musicien fran\u00e7ais)\u00a0:<br \/><strong>FABIEN MARY<\/strong>\u00a0pour l\u2019album \u00ab\u00a0<strong>Left Arm Blues (And Other New York Story)<\/strong>\u00a0\u00bb (Jazz&amp;People \/ Pias).<\/p><p><img decoding=\"async\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/3._pdfr-bdd20.jpg\" alt=\"\" width=\"500\" height=\"375\" \/><\/p><p>Finalistes\u00a0:\u00a0<strong>Edward Perraud<\/strong>\u00a0pour\u00ab\u00a0Espaces\u00a0\u00bb (Label Bleu \/ L\u2019Autre Distribution),\u00a0<strong>Andy Emler MegaOctet<\/strong>\u00a0pour\u00ab\u00a0A Moment for\u2026\u00a0\u00bb\u00a0\u00bb (La Buissonne \/ Pias),\u00a0<strong>\u00c9ric Le Lann &amp; Paul Lay<\/strong>\u00a0pour \u00ab\u00a0Thanks a Million\u00a0\u00bb (Gazebo \/ L\u2019Autre Distribution).<\/p><p>__________________<\/p><p><strong>Prix du Musicien Europ\u00e9en<\/strong>, (r\u00e9compens\u00e9 pour son \u0153uvre ou son actualit\u00e9 r\u00e9cente)\u00a0:<br \/><strong>SAMUEL BLASER<\/strong>\u00a0(tromboniste suisse).<\/p><p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/4.pmeu-0a879.jpg\" alt=\"\" width=\"500\" height=\"375\" \/><\/p><p>Finalistes\u00a0:\u00a0<strong>Tord Gustavsen<\/strong>\u00a0(pianiste norv\u00e9gien),\u00a0<strong>Aka Moon<\/strong>\u00a0(groupe belge).<\/p><p>__________________<\/p><p><strong>Prix de la Meilleure R\u00e9\u00e9dition ou du Meilleur In\u00e9dit<\/strong>\u00a0:<br \/><strong>THE SAVORY COLLECTION 1935-1940<\/strong>, (coffret Mosa\u00efc Records \/\u00a0<a href=\"http:\/\/www.mosaicrecords.com\/\" rel=\"nofollow external\">www.mosaicrecords.com<\/a>)<\/p><p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/5._pmimr-b2569.jpg\" alt=\"\" width=\"500\" height=\"375\" \/><\/p><p>Finalistes\u00a0:\u00a0<strong>Radka Toneff &amp; Steve Dobrogosz<\/strong>, pour l\u2019album \u00ab\u00a0Fairytales\u00a0\u00bb (Odin \/ Outhere),\u00a0<strong>Wynton Marsalis Septet<\/strong>\u00a0pour\u00ab\u00a0United We Swing &#8211; Best of the Jazz at Lincoln Center Galas\u00a0\u00bb (Blue Engine Records).<\/p><p>__________________<\/p><p><strong>Prix du Jazz Classique<\/strong>\u00a0:<br \/><strong>LES ROIS DU FOX-TROT<\/strong>\u00a0pour l\u2019album \u00ab\u00a0<strong>Hommage \u00e0 Duke Ellington<\/strong>\u00a0\u00bb<br \/>(Ahead \/ Socadisc).<\/p><p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/6._pjcl-e4095.jpg\" alt=\"\" width=\"500\" height=\"375\" \/><\/p><p>Finalistes\u00a0:\u00a0<strong>Snorre Kirk<\/strong>\u00a0pour \u00ab\u00a0Beat\u00a0\u00bb (Stunt \/ UVM), et\u00a0<strong>Brad Child<\/strong>\u00a0pour \u00ab\u00a0Meets La Section Rythmique\u00a0\u00bb (autoproduction).<\/p><p>__________________<\/p><p><strong>Prix du Jazz Vocal<\/strong>\u00a0:<br \/><strong>KURT ELLING<\/strong>\u00a0pour l\u2019album \u00ab\u00a0<strong>The Questions<\/strong>\u00a0\u00bb (Okeh \/ Sony Music)<\/p><p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/7._pjvl-42b63.jpg\" alt=\"\" width=\"500\" height=\"375\" \/><\/p><p>Finalistes\u00a0:\u00a0<strong>Hugh Coltman<\/strong>\u00a0pour \u00ab\u00a0Who\u2019s Happy\u00a0\u00bb (Okeh \/ Sony Music), et\u00a0<strong>Allan Harris<\/strong>\u00a0pour \u00ab\u00a0The Genius of Eddie Jefferson\u00a0\u00bb (Resilience Music Alliance).<\/p><p>__________________<\/p><p><strong>Prix Soul<\/strong>\u00a0:<br \/><strong>THEO LAWRENCE &amp; THE HEARTS<\/strong>\u00a0pour l\u2019album \u00ab\u00a0<strong>Homemade Lemonade<\/strong>\u00a0\u00bb (BMG \/ Warner.<\/p><p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/8._pso-1389b.jpg\" alt=\"\" width=\"500\" height=\"375\" \/><\/p><p>Finalistes\u00a0:\u00a0<strong>Bettye LaVette<\/strong>\u00a0pour \u00ab\u00a0Things Have Changed\u00a0\u00bb (Verve \/ Universal), et\u00a0<strong>Jamison Ross<\/strong>\u00a0pour \u00ab\u00a0All For One\u00a0\u00bb (Concord \/ Universal).<\/p><p>__________________<br class=\"autobr\" \/><strong>Prix Blues<\/strong>\u00a0:<br class=\"autobr\" \/><strong>WALTER \u201cWOLFMAN\u201d WASHINGTON<\/strong>\u00a0pour l\u2019album \u00ab\u00a0<strong>My Future Is My Past<\/strong>\u00a0\u00bb (Anti- \/ Pias).<\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1590\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/9._pbl-cd797.jpg\" alt=\"\" width=\"500\" height=\"375\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/9._pbl-cd797.jpg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/9._pbl-cd797-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p>Finalistes\u00a0:\u00a0<strong>Delgres<\/strong>\u00a0pour \u00ab\u00a0Mo Jodi\u00a0\u00bb (Jazz Village \/ Pias),\u00a0<strong>Muddy Gurdy<\/strong>\u00a0pour \u00ab\u00a0Muddy Gurdy\u00a0\u00bb (VizzTone \/\u00a0<a class=\"spip_url spip_out auto\" href=\"http:\/\/www.hypnotic-wheels.com\/\" rel=\"nofollow external\">www.hypnotic-wheels.com<\/a>).<\/p><p>__________________<\/p><p><strong>Prix du Livre de Jazz<\/strong>\u00a0:<br class=\"autobr\" \/><strong>YOUSSEF DAOUDI<\/strong>\u00a0pour le roman graphique \u00ab\u00a0<strong>Monk\u00a0!<\/strong>\u00a0\u00bb (Les \u00c9ditions Martin de Halleux).<\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1591\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/10._pmlj-a8f75.jpg\" alt=\"\" width=\"500\" height=\"375\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/10._pmlj-a8f75.jpg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/10._pmlj-a8f75-300x225.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p>Finalistes\u00a0:\u00a0<strong>Serge Loupien<\/strong>\u00a0pour \u00ab\u00a0La France Underground 1965 \/ 1979\u00a0\u00bb (Rivages), et\u00a0<strong>Daniel Humair<\/strong>\u00a0pour \u00ab\u00a0\u00c0 b\u00e2tons rompus &#8211; Entretiens avec Franck M\u00e9dioni\u00a0\u00bb (\u00c9ditions MF).<\/p><p>____________________________________<\/p><p><strong>Le Mot du Pr\u00e9sident<\/strong><\/p><p>La c\u00e9r\u00e9monie annuelle de remise des prix de\u00a0<strong>l\u2019Acad\u00e9mie du Jazz<\/strong>\u00a0s\u2019est d\u00e9roul\u00e9e en pr\u00e9ambule au concert-hommage qu\u2019elle a organis\u00e9 \u00e0 l\u2019Auditorium de La Seine Musicale samedi 9 janvier 2019.<\/p><p>D\u00e8s l\u2019ouverture de la soir\u00e9e, le public et les nombreux musiciens pr\u00e9sents ont senti qu\u2019une vibration particuli\u00e8re allait impr\u00e9gner l\u2019ensemble de la soir\u00e9e, comme si l\u2019absence depuis 20 ans d\u2019un artiste majeur de la sc\u00e8ne du jazz international avait d\u00e9cupl\u00e9 ses attentes. Cette atmosph\u00e8re allait marquer les esprits tout au long de cet \u00e9v\u00e8nement unique.<\/p><p>Le\u00a0<strong>Prix Django Reinhardt<\/strong>, distinction phare soutenue par la\u00a0<strong>Fondation BNP Paribas<\/strong>, l\u2019un des rares m\u00e9c\u00e8nes du jazz et de la cr\u00e9ation contemporaine qui dote ce prix de 3.000 euros, a \u00e9t\u00e9 d\u00e9cern\u00e9 au jeune saxophoniste\u00a0<strong>Baptiste Herbin<\/strong>. Les sources multiples de son inspiration ne l\u2019ont pas emp\u00each\u00e9 de devenir un formidable porte-drapeau du jazz d\u2019aujourd\u2019hui. Sa prestation sur le th\u00e8me Elsa M du batteur Aldo Romano (ce dernier intervenant \u00e0 plusieurs reprises au cours de la soir\u00e9e) a aussi d\u00e9montr\u00e9 son expertise sur les rythmes latins.<\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1592\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/1._b.herbin2_-fba45.jpg\" alt=\"\" width=\"500\" height=\"333\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/1._b.herbin2_-fba45.jpg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/1._b.herbin2_-fba45-300x200.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p>Enfin r\u00e9compens\u00e9 apr\u00e8s avoir souvent \u00e9t\u00e9 sur la deuxi\u00e8me marche du podium, le trompettiste\u00a0<strong>Fabien Mary<\/strong>\u00a0emporte le\u00a0<strong>Prix du Disque Fran\u00e7ais<\/strong>\u00a0avec \u00ab\u00a0Left Arm Blues (And Other New York Stories)\u00a0\u00bb paru sur le label participatif Jazz &amp; People. Son interpr\u00e9tation en quartette d\u2019une ballade de Kenny Dorham sur la sc\u00e8ne de l\u2019Auditorium fut un moment de gr\u00e2ce et d\u2019\u00e9quilibre.<\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1594\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/2._fabienmarysursce_ne_copie_-31f53.jpg\" alt=\"\" width=\"500\" height=\"334\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/2._fabienmarysursce_ne_copie_-31f53.jpg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/2._fabienmarysursce_ne_copie_-31f53-300x200.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p>Pour la deuxi\u00e8me ann\u00e9e cons\u00e9cutive, le\u00a0<strong>Prix du Musicien Europ\u00e9en<\/strong>\u00a0est attribu\u00e9 \u00e0 un artiste suisse\u00a0: le tromboniste\u00a0<strong>Samuel Blaser<\/strong>, jazzman alliant l\u2019esprit d\u2019aventure \u00e0 une connaissance impressionnante des sources de cette musique, interpr\u00e9ta en solo absolu le Creole Love Call de Duke Ellington. Une r\u00e9v\u00e9lation pour beaucoup de spectateurs\u00a0!<\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1595\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/3._s.blaser1_copie_-bc274.jpg\" alt=\"\" width=\"500\" height=\"334\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/3._s.blaser1_copie_-bc274.jpg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/3._s.blaser1_copie_-bc274-300x200.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p>Le\u00a0<strong>Prix de la Meilleure R\u00e9\u00e9dition<\/strong>\u00a0a \u00e9t\u00e9 attribu\u00e9 au magnifique coffret Mosa\u00efc Records intitul\u00e9 \u00ab\u00a0<strong>The Savory Collection 1935-1940<\/strong>\u00ab\u00a0, ensemble d\u2019enregistrements radiophoniques sauv\u00e9s de l\u2019oubli par le producteur Michael Cuscuna. Des l\u00e9gendes comme Count Basie, Lester Young, Lionel Hampton y sont repr\u00e9sent\u00e9es avec quelques soli d\u2019anthologie.<\/p><p>Couronnant un musicien trop longtemps consid\u00e9r\u00e9 comme un sideman de luxe, le\u00a0<strong>Grand Prix de l\u2019Acad\u00e9mie du Jazz<\/strong>\u00a0est all\u00e9 au quintette du pianiste\u00a0<strong>Kenny Barron<\/strong>\u00a0pour l\u2019album \u00ab\u00a0Concentric Circles\u00a0\u00bb (Blue Note), consacrant ainsi un ma\u00eetre de l\u2019\u00e9l\u00e9gance ainsi qu\u2019un compositeur raffin\u00e9.<\/p><p>Marqueur essentiel de la vie du jazz, le\u00a0<strong>Prix du Jazz Vocal<\/strong>\u00a0est une r\u00e9compense \u00e2prement disput\u00e9e. Il a \u00e9t\u00e9 d\u00e9cern\u00e9 cette ann\u00e9e au chanteur\u00a0<strong>Kurt Elling<\/strong>\u00a0pour son album \u00ab\u00a0The Questions\u00a0\u00bb (Okeh), au contenu intense et presque militant dans les interrogations qu\u2019il pose sur la situation politique des Etats-Unis d\u2019Am\u00e9rique.<br class=\"autobr\" \/>Nullement d\u00e9\u00e7u de n\u2019\u00eatre \u00ab\u00a0que\u00a0\u00bb finaliste dans cette cat\u00e9gorie, le chanteur new-yorkais\u00a0<strong>Allan Harris<\/strong>\u00a0avait pris l\u2019avion pour assister \u00e0 la c\u00e9r\u00e9monie et d\u00e9livrer sur sc\u00e8ne sa version de Memphis en duo avec Laurent Coulondre, grand moment de swing bluesy lors de cette soir\u00e9e aux multiples facettes.<\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1596\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/4._allanharris3_copie_-f107c.jpg\" alt=\"\" width=\"500\" height=\"334\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/4._allanharris3_copie_-f107c.jpg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/4._allanharris3_copie_-f107c-300x200.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p>Une fois n\u2019est pas coutume, le\u00a0<strong>Prix du Livre de Jazz<\/strong>\u00a0a distingu\u00e9 cette ann\u00e9e l\u2019ouvrage extraordinaire de\u00a0<strong>Youssef Daoudi \u00ab\u00a0Monk\u00a0!\u00a0\u00bb<\/strong>\u00a0(Editions Martin de Halleux), v\u00e9ritable roman en planches dessin\u00e9es, entre fiction et r\u00e9alit\u00e9, dans lequel on se plonge avec d\u00e9lectation.<\/p><p>Le\u00a0<strong>Prix du Jazz Classique<\/strong>\u00a0(dont la d\u00e9finition est de moins en moins restrictive avec le passage des g\u00e9n\u00e9rations) est all\u00e9 au groupe\u00a0<strong>Les Rois du Fox-Trot<\/strong>\u00a0pour l\u2019album \u00ab\u00a0Hommage \u00e0 Duke Ellington\u00a0\u00bb (Ahead), dont l\u2019un des initiateurs est le saxophoniste\u00a0<strong>Nicolas Montier<\/strong>, qui n\u2019a pas h\u00e9sit\u00e9 \u00e0 envoyer en quelques pr\u00e9cieuses minutes une version magnifique de Gone With the Wind en duo avec le contrebassiste Sylvain Romano, beau moment de frugalit\u00e9 po\u00e9tique.<\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1597\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/5._n.montier_copie_-1930f.jpg\" alt=\"\" width=\"500\" height=\"334\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/5._n.montier_copie_-1930f.jpg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/5._n.montier_copie_-1930f-300x200.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p>La musique\u00a0<strong>Soul<\/strong>\u00a0et le\u00a0<strong>Blues<\/strong>\u00a0ne sont pas oubli\u00e9s, avec deux prix rafra\u00eechissant les codes du genre\u00a0:\u00a0<strong>Theo Lawrence &amp; The Hearts<\/strong>\u00a0pour l\u2019album \u00ab\u00a0Homemade Lemonade\u00a0\u00bb (BMG) et\u00a0<strong>Walter \u00ab\u00a0Wolfman\u00a0\u00bb Washington<\/strong>\u00a0pour l\u2019album \u00ab\u00a0My Future is my Past\u00a0\u00bb (Anti-).<\/p><p>Enfin, l\u2019Acad\u00e9mie a d\u00e9cern\u00e9 un\u00a0<strong>Prix Sp\u00e9cial<\/strong>\u00a0\u00e0 son\u00a0<strong>Pr\u00e9sident d\u2019Honneur, Martial Solal<\/strong>\u00a0pour l\u2019ensemble de son \u0153uvre, son inventivit\u00e9 persistante et une espi\u00e8glerie incopiable dans la prise de risque, des traits originaux que l\u2019\u00e2ge ne fl\u00e9trit pas\u00a0: il semblait donc naturel de baptiser cette distinction \u00ab\u00a0Prix du Jeune Talent\u00a0\u00bb, compliment qu\u2019il faut ici prendre \u00e0 la lettre\u00a0!<\/p><hr class=\"spip\" \/><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1598\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/1._micale_copie-9e021.jpg\" alt=\"\" width=\"500\" height=\"299\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/1._micale_copie-9e021.jpg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/1._micale_copie-9e021-300x179.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p>Focalisant toutes les attentions, l\u2019entr\u00e9e en mati\u00e8re au concert-hommage \u00e0\u00a0<strong>Michel Petrucciani<\/strong>\u00a0a impos\u00e9 un silence religieux dans l\u2019Auditorium, au moment o\u00f9 l\u2019un des fils du pianiste disparu,\u00a0<strong>Alexandre Petrucciani<\/strong>, a prononc\u00e9 quelques phrases de remerciement qui ont \u00e9mu le public tout entier.<\/p><p>Ce fut ensuite une suite d\u2019interpr\u00e9tations toutes aussi inspir\u00e9es les unes que les autres, les allures et couleurs sonores variant selon les formations qui se sont succ\u00e9d\u00e9. Solo avec\u00a0<strong>Franck Avitabile<\/strong>\u00a0ou\u00a0<strong>Jacky Terrasson<\/strong>, duo avec\u00a0<strong>G\u00e9raldine Laurent<\/strong>\u00a0ou\u00a0<strong>Laurent Coulondre<\/strong>, quartette ou quintette avec\u00a0<strong>Philippe Petrucciani<\/strong>,\u00a0<strong>Flavio Boltro<\/strong>,\u00a0<strong>Joe Lovano<\/strong>&#8230; ou encore la jeune trompettiste\u00a0<strong>Lucienne Renaudin-Vary<\/strong>, une d\u00e9couverte pour beaucoup.<\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1599\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/2._j.terrasson-g.portal-l.white_copie_-9f4f8.jpg\" alt=\"\" width=\"500\" height=\"334\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/2._j.terrasson-g.portal-l.white_copie_-9f4f8.jpg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/2._j.terrasson-g.portal-l.white_copie_-9f4f8-300x200.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1600\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/3._g.laurent2470_copie_-775bb.jpg\" alt=\"\" width=\"500\" height=\"750\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/3._g.laurent2470_copie_-775bb.jpg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/3._g.laurent2470_copie_-775bb-200x300.jpg 200w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1601\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/4._g.portal3a2412_copie_-645b3.jpg\" alt=\"\" width=\"500\" height=\"750\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/4._g.portal3a2412_copie_-645b3.jpg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/4._g.portal3a2412_copie_-645b3-200x300.jpg 200w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1602\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/5._laurentcoulondre3a2426_copie_-bf943.jpg\" alt=\"\" width=\"500\" height=\"334\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/5._laurentcoulondre3a2426_copie_-bf943.jpg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/5._laurentcoulondre3a2426_copie_-bf943-300x200.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p>L\u2019\u00e9motion palpable et l\u2019envie de jouer manifeste de tous ces musiciens, servis par une rythmique superlative (<strong>G\u00e9raud Portal<\/strong>\u00a0\u00e0 la basse\/contrebasse et\u00a0<strong>Lenny White<\/strong>\u00a0\u00e0 la batterie, associ\u00e9s le plus souvent \u00e0 Jacky Terrasson) leur permit de c\u00e9l\u00e9brer les compositions les plus connues de Michel Petrucciani (Looking Up, September Second, Play Me&#8230;) auxquelles des ajouts bien trouv\u00e9s apport\u00e8rent d\u2019int\u00e9ressants d\u00e9rivatifs (Lines and Space de Joe Lovano, Old Wine New Bottles de Lenny White&#8230;).<\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1603\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/7._lucienne_joea2396_copie_-94b29.jpg\" alt=\"\" width=\"500\" height=\"334\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/7._lucienne_joea2396_copie_-94b29.jpg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/7._lucienne_joea2396_copie_-94b29-300x200.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1604\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/8._ph.petrucciania2463_copie_-0c0e6.jpg\" alt=\"\" width=\"500\" height=\"750\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/8._ph.petrucciania2463_copie_-0c0e6.jpg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/8._ph.petrucciania2463_copie_-0c0e6-200x300.jpg 200w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p>Ce floril\u00e8ge musical connut quelques respirations, autant de moments perm\u00e9ables aux vertiges de l\u2019inspiration\u00a0: une lecture d\u2019<strong>Aldo Romano<\/strong>\u00a0sur sa rencontre avec Michel Petrucciani, suivie par son duo improvis\u00e9 avec Joe Lovano\u00a0; une version somptueuse de Body and Soul coutur\u00e9e par Jacky Terrasson et Joe Lovano, sans parler de ces trois minutes au cours desquelles fusionn\u00e8rent les deux univers de Michel Legrand et de Michel Petrucciani, hommage \u00e0 Michel et Michel cr\u00e9\u00e9 dans l\u2019instant par un Jacky Terrasson imp\u00e9rial.<\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1605\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/6._lovano-terrasson1_copie_-8857b.jpg\" alt=\"\" width=\"500\" height=\"334\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/6._lovano-terrasson1_copie_-8857b.jpg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/6._lovano-terrasson1_copie_-8857b-300x200.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p>Un rappel en tutti d\u2019orchestre (Little Peace in C for U) allait parachever cette soir\u00e9e sur un mode combatif, lyrique et optimiste, trois adjectifs d\u00e9crivant parfaitement l\u2019\u00e9tat d\u2019esprit du d\u00e9dicataire de ce concert-hommage sans pr\u00e9c\u00e9dent. Un souvenir \u00e0 coup s\u00fbr ind\u00e9l\u00e9bile pour le public chanceux qui y a assist\u00e9\u00a0!<\/p><p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1606\" src=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/9._salutfinal2_sansterrasson_copie_-952a2.jpg\" alt=\"\" width=\"500\" height=\"334\" srcset=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/9._salutfinal2_sansterrasson_copie_-952a2.jpg 500w, https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/9._salutfinal2_sansterrasson_copie_-952a2-300x200.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p><p>Comme il est d\u00e9sormais traditionnel, la soir\u00e9e s\u2019est conclue par un cocktail, au Nubia, le club de Richard Bona install\u00e9 \u00e0 La Seine Musicale, accompagn\u00e9 d\u2019une d\u00e9gustation de grands crus propos\u00e9s par le\u00a0<strong>Conseil des Vins de Saint-Emilion<\/strong>, partenaire complice de l\u2019Acad\u00e9mie, au m\u00eame titre que la\u00a0<strong>Fondation BNP Paribas<\/strong>, la\u00a0<strong>SACEM<\/strong>, la\u00a0<strong>SPEDIDAM<\/strong>, le\u00a0<strong>Goethe Institut<\/strong>, auxquels se sont joints cette ann\u00e9e, les disques et \u00e9ditions\u00a0<strong>Dreyfus Jazz<\/strong>,\u00a0<strong>FIP<\/strong>,\u00a0<strong>Lib\u00e9ration<\/strong>\u00a0et\u00a0<strong>T\u00e9l\u00e9rama<\/strong>, m\u00e9dias ayant relay\u00e9 abondamment cette soir\u00e9e en tous points m\u00e9morable.<\/p><p>L\u2019Acad\u00e9mie du Jazz continue gaillardement sur sa trajectoire \u0153cum\u00e9nique, ind\u00e9pendante, un \u0153il dans le r\u00e9troviseur, l\u2019autre sur les routes futures.<\/p><p>\u00a9 photoPaul Bere, Antoine Pi\u00e9chaud\u00a0;<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"featured_media":0,"template":"elementor_header_footer","class_list":["post-1577","palmares","type-palmares","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.9.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Palmar\u00e8s 2018 - Acad\u00e9mie du Jazz<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-2018\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Palmar\u00e8s 2018 - Acad\u00e9mie du Jazz\" \/>\n<meta property=\"og:description\" content=\"Au cours de la soir\u00e9e organis\u00e9e le 11 d\u00e9cembre 2018 au Goethe Institute de Paris, sous la pr\u00e9sidence de Fran\u00e7ois Lacharme, et en pr\u00e9sence de Claude Carri\u00e8re, Pr\u00e9sident d\u2019Honneur, l\u2019Acad\u00e9mie du Jazz a d\u00e9cern\u00e9 ses prix pour l\u2019ann\u00e9e \u00e9coul\u00e9e.Leur remise a eu lieu au cours de la soir\u00e9e de gala organis\u00e9e le samedi 9 f\u00e9vrier [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-2018\/\" \/>\n<meta property=\"og:site_name\" content=\"Acad\u00e9mie du Jazz\" \/>\n<meta property=\"article:modified_time\" content=\"2024-01-19T20:23:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/1._prix_d.r.b-2-79617.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"13 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-2018\/\",\"url\":\"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-2018\/\",\"name\":\"Palmar\u00e8s 2018 - Acad\u00e9mie du Jazz\",\"isPartOf\":{\"@id\":\"https:\/\/www.academiedujazz.com\/#website\"},\"datePublished\":\"2024-01-19T20:08:32+00:00\",\"dateModified\":\"2024-01-19T20:23:51+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-2018\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-2018\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-2018\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/www.academiedujazz.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Palmar\u00e8s 2018\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.academiedujazz.com\/#website\",\"url\":\"https:\/\/www.academiedujazz.com\/\",\"name\":\"Acad\u00e9mie du Jazz\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/www.academiedujazz.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.academiedujazz.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.academiedujazz.com\/#organization\",\"name\":\"Acad\u00e9mie du Jazz\",\"url\":\"https:\/\/www.academiedujazz.com\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/www.academiedujazz.com\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2023\/11\/Logo-web_Academie-Du-Jazz_Fond-sombre.png\",\"contentUrl\":\"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2023\/11\/Logo-web_Academie-Du-Jazz_Fond-sombre.png\",\"width\":949,\"height\":800,\"caption\":\"Acad\u00e9mie du Jazz\"},\"image\":{\"@id\":\"https:\/\/www.academiedujazz.com\/#\/schema\/logo\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Palmar\u00e8s 2018 - Acad\u00e9mie du Jazz","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-2018\/","og_locale":"fr_FR","og_type":"article","og_title":"Palmar\u00e8s 2018 - Acad\u00e9mie du Jazz","og_description":"Au cours de la soir\u00e9e organis\u00e9e le 11 d\u00e9cembre 2018 au Goethe Institute de Paris, sous la pr\u00e9sidence de Fran\u00e7ois Lacharme, et en pr\u00e9sence de Claude Carri\u00e8re, Pr\u00e9sident d\u2019Honneur, l\u2019Acad\u00e9mie du Jazz a d\u00e9cern\u00e9 ses prix pour l\u2019ann\u00e9e \u00e9coul\u00e9e.Leur remise a eu lieu au cours de la soir\u00e9e de gala organis\u00e9e le samedi 9 f\u00e9vrier [&hellip;]","og_url":"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-2018\/","og_site_name":"Acad\u00e9mie du Jazz","article_modified_time":"2024-01-19T20:23:51+00:00","og_image":[{"url":"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2024\/01\/1._prix_d.r.b-2-79617.jpg"}],"twitter_card":"summary_large_image","twitter_misc":{"Dur\u00e9e de lecture estim\u00e9e":"13 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-2018\/","url":"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-2018\/","name":"Palmar\u00e8s 2018 - Acad\u00e9mie du Jazz","isPartOf":{"@id":"https:\/\/www.academiedujazz.com\/#website"},"datePublished":"2024-01-19T20:08:32+00:00","dateModified":"2024-01-19T20:23:51+00:00","breadcrumb":{"@id":"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-2018\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-2018\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.academiedujazz.com\/index.php\/palmares\/palmares-2018\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.academiedujazz.com\/"},{"@type":"ListItem","position":2,"name":"Palmar\u00e8s 2018"}]},{"@type":"WebSite","@id":"https:\/\/www.academiedujazz.com\/#website","url":"https:\/\/www.academiedujazz.com\/","name":"Acad\u00e9mie du Jazz","description":"","publisher":{"@id":"https:\/\/www.academiedujazz.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.academiedujazz.com\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"fr-FR"},{"@type":"Organization","@id":"https:\/\/www.academiedujazz.com\/#organization","name":"Acad\u00e9mie du Jazz","url":"https:\/\/www.academiedujazz.com\/","logo":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/www.academiedujazz.com\/#\/schema\/logo\/image\/","url":"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2023\/11\/Logo-web_Academie-Du-Jazz_Fond-sombre.png","contentUrl":"https:\/\/www.academiedujazz.com\/wp-content\/uploads\/2023\/11\/Logo-web_Academie-Du-Jazz_Fond-sombre.png","width":949,"height":800,"caption":"Acad\u00e9mie du Jazz"},"image":{"@id":"https:\/\/www.academiedujazz.com\/#\/schema\/logo\/image\/"}}]}},"_links":{"self":[{"href":"https:\/\/www.academiedujazz.com\/index.php\/wp-json\/wp\/v2\/palmares\/1577","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.academiedujazz.com\/index.php\/wp-json\/wp\/v2\/palmares"}],"about":[{"href":"https:\/\/www.academiedujazz.com\/index.php\/wp-json\/wp\/v2\/types\/palmares"}],"version-history":[{"count":7,"href":"https:\/\/www.academiedujazz.com\/index.php\/wp-json\/wp\/v2\/palmares\/1577\/revisions"}],"predecessor-version":[{"id":1609,"href":"https:\/\/www.academiedujazz.com\/index.php\/wp-json\/wp\/v2\/palmares\/1577\/revisions\/1609"}],"wp:attachment":[{"href":"https:\/\/www.academiedujazz.com\/index.php\/wp-json\/wp\/v2\/media?parent=1577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}